GEMS / EMEC

Bate, Jonathan. 2019. How the Classics Made Shakespeare. Princeton: Princeton University Press.

Bigliazzi, Silvia, ed. 2023. What’s Seneca to Him? Senecan Shakespeare. Memoria di Shakespeare 10. https://rosa.uniroma1.it/rosa03/memoria_di_shakespeare/issue/view/1668.

— 2021. “Well-Staged Syllables”: From Classical to Early Modern English Metres in Drama. Skenè. JTDS 7 (2). https://skenejournal.skeneproject.it/index.php/JTDS/issue/view/27.

— 2019. Oedipus at Colonus and King Lear: Classical and Early Modern Intersections. Verona: Skenè (Studies I). https://textsandstudies.skeneproject.it/index.php/TS/catalog/book/67.

— 2015. “Chorus and Chorality in Early Modern English Drama”. Skenè.JTDS 1 (1): 101-33. https://skenejournal.skeneproject.it/index.php/JTDS/article/view/14.

Bigliazzi, Silvia, and Tania Demetriou, eds. 2024. What Is a Source on the Early English Stage? Fifteen New Essays. Pisa: ETS (Skenè Texts DA). https://textsandstudies.skeneproject.it/index.php/TS/catalog/book/81.

Bigliazzi, Silvia, and Carla Suthren, eds. Forthcoming. George Gascoigne and Francis Kinwelmersh’s Jocasta. With a Parallel Edition of Lodovico Dolce’s Giocasta. Cambridge: MHRA.

Boas, F.S. 1914. University Drama in the Tudor Age. Oxford: Clarendon Press.

Braden, Gordon. 2017. “Classical Greek Tragedy and Shakespeare”. Homer and Greek Tragedy in Early Modern England’s Theatres, edited by Tania Demetriou and Tanya Pollard. Classical Receptions Journal 9 (1): 103-19. https://academic.oup.com/crj/article/9/1/103/2752624?login=true.

Burrow, Colin. 2019. Imitating Authors. Plato to Futurity. Oxford: Oxford University Press.

— 2018. “Shakespeare’s Authorities”. In Shakespeare and Authority: Citations, Conceptions, and Constructions, edited by Katie Halsey and Angus Vine, 31-54. New York: Palgrave Macmillan.

— 2013. Shakespeare and Classical Antiquity. Oxford: Oxford University Press.

Crawforth, Hannah, and Lucy C.M.M. Jackson. 2019. “Greek Tragedy on the University Stage: Buchanan and Euripides”. In Gathering Force: Early Modern British Literature in Transition, 1557-1623, edited by Kristen Poole and Lauren Shohet, 340-55. Cambridge: Cambridge University Press.

Cunliffe, John W., ed. 1912. Early English Classical Tragedies. Oxford: Clarendon Press.

Demetriou, Tania, and Tanya Pollard, eds. 2017. Homer and Greek Tragedy in Early Modern England’s Theatres, Classical Receptions Journal 9 (1). https://academic.oup.com/crj/issue/9/1.

Demetriou, Tania, and Janice Valls-Russell, eds. 2021. Heywood and the Classical Tradition. Manchester: Manchester University Press.

Dewar-Watson, Sarah. 2018. Shakespeare’s Politics. Aristotle and Anglo-Italian Renaissance Genres. London and New York: Routledge.

— 2009. “The Alcestis and the Statue Scene in The Winter’s Tale”. Shakespeare Quarterly 60 (1): 73-80.

Dixon, Dustin W., and John S. Garrison. Performing Gods in Classical Antiquity and the Age of Shakespeare. London: Bloomsbury.

Duncan, Douglas. 1979. Ben Jonson and the Lucianic Tradition. Cambridge: Cambridge University Press.

Duranti, Marco. 2022. “Ecclesiae et Rei Publicae”. Greek Drama and the Education of the Ruling Class in Elizabethan England. (Skenè. Texts). Pisa: ETS. https://textsandstudies.skeneproject.it/index.php/TS/catalog/book/72.

— 2021. “The First Greek Tragedy Printed in England: Some Textual and Typographical Notes”. Skenè.JTDS 7 (1): 111-22. https://skenejournal.skeneproject.it/index.php/JTDS/article/view/318/326.

Ewbank, Inga Stina. 2005. “‘Striking too short at Greeks’: the Transmission of Agamemnon to the English Renaissance Stage”. In Agamemnon in Performance 458 BC to AD 2004, edited by Fiona Macintosh et al., 37-52. Oxford: Oxford University Press.

Gillespie, Stuart. 2011. English Translation and Classical Reception: Towards a New Literary History. Malden: Wiley Blackwell.

Greene, Thomas M. 1982. The Light in Troy: Imitation and Discovery in Renaissance Poetry. New Haven and London: Yale University Press.

Grilli, Alessandro, and Francesco Morosi. 2023. Action, Song, and Poetry: Musical and Poetical Meta-Performance in Aristophanes and Ben Jonson. (Skenè. Studies II). Pisa: ETS. https://textsandstudies.skeneproject.it/index.php/TS/catalog/book/74.

Gum, Coburn. 1969. The Aristophanic Comedies of Ben Jonson. A Comparative Study of Jonson and Aristophanes. The Hague and Paris: Mouton.

Harrison, Tom. 2023. Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides Not Commanders. London and New York: Routledge.

Hopkins, Lisa. 2020. Greeks and Trojans on the Early Modern English Stage. Boston and Berlin: de Gruyter.

Kenward, Claire. 2018. “‘Of Arms and the Man’: Thersites in Early Modern English Drama”. In Epic Performances from the Middle Ages into the Twenty-First Century, edited by Fiona Macintosh et al., 421-38. Oxford: Oxford University Press.

Lafkidou Dick, Aliki. 1974. Paideia Through Laughter. Jonson’s Aristophanic Appeal to Human Intelligence. The Hague and Paris: Mouton.

Lazarus, Micha. 2020. “Tragedy at Wittenberg: Sophocles in Reformation Europe”. Renaissance Quarterly 73: 33-77.

— 2016. “Aristotelian Criticism in Sixteenth-Century England”. Oxford Handbook Topics in Literature (online edn, Oxford Academic), n.p.

— 2015a. “Greek Literacy in Sixteenth-Century England”. Renaissance Studies 29 (3): 434-58.

— 2015b. “Sidney’s Greek Poetics”. Studies in Philology 112 (3): 504-36.

Lever, Katherine. 1946. “Greek Comedy on the Sixteenth Century English Stage”. Classical Journal 42: 169-74.

Lovascio, Domenico. 2022. John Fletcher’s Rome: Questioning the Classics. Manchester: Manchester University Press.

Martindale, Charles, and A.B. Taylor, eds. 2004. Shakespeare and the Classics. Cambridge, Cambridge University Press.

Martindale, Charles and Michelle. 1990. Shakespeare and the Uses of Antiquity. An Introductory Essay. London and New York: Routledge.

Milne, Kirsty. 2007. “The Forgotten Greek Books of Elizabethan England”. Literature Compass 4 (3): 677-87. https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/j.1741-4113.2007.00443.x.

Miola, Robert S. 2014. “Aristophanes in England, 1500-1660”. In Ancient Comedy and Reception. Essays in Honor of Jeffrey Henderson, edited by S. Douglas Olson, 479-502. Berlin and Boston: De Gruyter.

— 2002. “Euripides at Gray’s Inn: Gascoigne and Kinwelmesh’s Jocasta”. In The Female Tragic Hero in English Renaissance Drama, edited by Naomi Conn Liebler, 33-50. Houndmills, Basingstoke: Palgrave.

— 1992. Shakespeare and Classical Tragedy. Oxford: Clarendon Press.

Moul, Victoria. 2010. Jonson, Horace and the Classical Tradition. Cambridge: Cambridge University Press.

Norland, Howard B. 2009. Neoclassical Tragedy in Elizabethan England. Newark: University of Delaware Press.

Orgel, Stephen. 2021. Wit’s Treasury. Renaissance England and the Classics. Philadelphia: University of Pennsylvania Press.

Perry, Curtis. 2021. Shakespeare and Senecan Tragedy. Cambridge: Cambridge University Press.

Pigman, George W. 1980. “Versions of Imitation in the Renaissance”. Renaissance Quarterly 33 (1): 1-32.

Pollard, Tanya. 2017. Greek Tragic Women on Shakespearean Stages. Oxford: Oxford University Press.

— 2012. “What’s Hecuba to Shakespeare?”. Renaissance Quarterly 65 (4): 1060-93.

Poole, Adrian. 1987. Tragedy: Shakespeare and the Greek Example. Oxford: Blackwell.

Rhodes, Neil, Gordon Kendal, and Louise Wilson, eds. 2013. English Renaissance Translation Theory. London: Modern Humanities Research Association.

Salingar, Leo. 1974. Shakespeare and the Traditions of Comedy. Cambridge: Cambridge University Press.

Smith, Bruce. 1988. Ancient Scripts and Modern Experience on the English Stage. 1500-1700. Princeton: Princeton University Press.

Steggle, Matthew. 2007. “Aristophanes in Early Modern England”. In Aristophanes in Performance 421 BC–AD 2007: Peace, Birds, and Frogs, edited by Edith Hall and Amanda Wrigley, 52-65. London: Legenda.

Suthren, Carla. 2020. “Iphigenia in English: Reading Euripides with Jane Lumley”. In Acquisition through Translation: Towards a Definition of Renaissance Translation, edited by Alessandra Petrina and Federica Massiero, 73-92. Turnhout: Brepols.

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